|Your cart is currently empty|
- New Products
- Spoken Word/Music CDs
- Combo Packs
- PM Stuff (T-Shirts, Hoodies, and More...)
- Upcoming Releases
- African American
- Art, Comics, and Photography
- Biography and Memoir
- Crime and Punishment
- Cultural and Literary Theory
- Cookbooks/Food Politics
- Gender Studies
- Indigenous/Native America
- Kids and Parents
- Labor Studies
- Latin America
- PM Series
- Author Collections
Friends of PM /Donate
View Larger Image
This is the first and best intellectual biography of Guy Debord, prime mover of the Situationist International (1957–1972) and author of The Society of the Spectacle , perhaps the seminal book of the May 1968 uprising in France. Anselm Jappe offers a powerful corrective to the continual attempts to incorporate Debord's theoretical work into “French theory.” Jappe's focuses, to the contrary, on Debord's debt to the Hegelian-Marxist tradition, to Karl Korsch and Georg Lukács, and more generally to left-Marxist currents of council communism. His close reading of Debord's magnum opus supplies a superb gloss that has never been rivaled despite the great flood of writing on the Situationists in recent decades.
At the same time, Debord is placed squarely in context among the Letterist and Situationist anti-artists who, in the aftermath of World War II, sought to criticize and transcend the legacy of Dada and Surrealism. Jappe's book offers a lively account of the Situationists' theory and practice as this “last avant-garde” made its way from radical bohemianism to revolutionary agitprop.
Guy Debord has been translated into many languages. This PM reprint edition benefits from a new author's preface and a bibliographical update.
“A clear-headed account . . . far and away the best we have so far.”
—Times Literary Supplement
“The only book on Debord in either French or English that can be unreservedly recommended . . . particularly useful for its extensive treatment of the Marxian connection that is usually ignored in culture-oriented accounts of the Situationists.”
—Ken Knabb, editor of Situationist International Anthology
“Jappe successfully gets to grips with the content of Debord's and the SI's activity in a way that is accessible and doesn't require a vast amount of prior knowledge or an extensive vocabulary of obscure jargon in order to understand it. Debord has got a somewhat undeserved reputation for having an impenetrable and complex writing style—a myth which Jappe goes a long way towards refuting by examining the major concepts in Society of the Spectacle and other works, and putting them in the context of a wider historical basis and in terms of the SI as a whole.”
—Do or Die
“Political writing is always instrumental as well as utopian. Debord's is no exception. Only sometimes writing has to reconcile itself to the idea that its time of instrumentality—its time as a weapon—lies a little in the future. Jappe's book is true to its subject, above all, because it reads Debord, and helps us read him, with that future in mind.”
—T.J. Clark, from the Foreword
About the Contributors:
Anselm Jappe is an independent scholar and university lecturer currently teaching art history and political and economic theory at the Collège International de Philosophie in Paris and at the Accademia di Belle Arti di Sassari in Sardinia. His essays have been published in the English-language collection The Writing on the Wall: On the Decomposition of Capitalism and Its Critics.
Donald Nicholson-Smith was born in Manchester, England. He is a longtime resident of New York City. His translations include works by Jean Piaget, Jean-Patrick Manchette, Guy Debord, Paco Ignacio Taibo II, J.B. Pontalis & Jean Laplanche, Thierry Jonquet, Henri Lefebvre, and Raoul Vaneigem. As a young man he was a member of the Situationist International (1965–67) in Paris and a comrade-in-arms of Guy Debord's.
T.J. Clark is a British art historian and writer. He taught art history in a number of universities in England and the United States, including Harvard and the University of California, Berkeley. Clark is the author of a series of books on the social character and formal dynamics of modern art.
Author: Anselm Jappe • Translated by Donald Nicholson-Smith • Foreword by T.J. Clark
Publisher: PM Press
Page count: 224
Subjects: Biography / Politics
See and hear interviews, book reviews, and other news on Anselm Jappe’s page Coming Soon and Donald Nicholson-Smith’s page HERE.